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Eastern Edge Essays

2020

(em)brace, a response by Jane Walker.

2019

Response to Diary of a e’pite’ji’j: hypervigilant love + Big ‘Uns. By Emily Critch.

A Reflection on Komqwejwi’kasikl. By Hannah Morgan.

Reading Close: Joshua Vettivelu and legibility in absence. By Kailey Bryan.

Arbitrary Lines: Refugee Law in Canada 1986 – 2012. By Gobhina Nagarajah.

Visiting: Logan MacDonald A Response by Emily Critch.

Where Art and Science Meet: Emily Jan. By Gloria Hickey.

2018

A reflection on, tet; mâni; ute | here. By Joanna Baker.

PEJIPUK |the winter is coming: Meagan Musseau. Keeping traditions alive in a modern age, from sweetgrass to plastic. By Jason Wells.

2017

Indigenous enough? Reconciling what it means to be a contemporary Indigenous artist: Joanna Barker on her experience at Flotilla.

Intentionality: A response to Logan MacDonald’s exhibition, The Lay of The Land. By Camille Georgeson.

islandness, a living experiment: a Written overview by Hannah Morgan.

Fungible Materialism: Heather Goodchild & Naomi Yasui, ‘Last is First’ at Eastern Edge. By Katie Bethune-Leamen.

L’nui’sultinej, Let us Speak Mi’kmaq: Jordan Bennett and Ursula Johnson’s Mi’kmaq Word of the Day 2.0. By John Jeddore.

‘WORDS OF RESISTANCE’: Jordan Bennett, Ursula Johnson and the potency of language. By Craig Francis Power.

The Space Between: Steven Beckly’s ‘A tender touch can bend the straightest of things’. By Mireille Eagan. 

2016

Supernatural Entanglements and the Politics of Visibility by Marissa Largo

How to Chop an Onion / Anna Hawkins by Nancy Webb

2015

Loving and Leaking: Katie Bethune-Leamen’s Cute Blobs by Saelan Twerdy

Coco Guzman – Los Fantamas/ The Ghosts by Paulie McDermid.

Jamie Ross / Jade Yumang exhibition essay by Sholem Krishtalka.

Kandis Friesen and Sarah Pupo – DOUBLETAKE by Sarah Smellie

A response to It’s The Media Not You by Sara Tilley

Jacinthe Robillard – l’étendue de mes connaissances exhibition essay by Anne-Marie Proulx.

2014

Those with everything, still have everything by Jason Penney

One Night Stand exhibition essay by Jennifer Dyer.

Modular Meaning, The art of Andrée-Anne Dupuis Bourret by Gloria Hickey

The Cyborg Epiphany of Pascal Dufaux by Zach Pearl.

2013

Syncopated Histories by Amber Berson.

The Self-Aware Stage-craft of Robert Hengeveld’s Living Sculptures By Kelly Jazvac.

Another Story of Erasure, a Different One by Sophia Bartholomew.

A response to Kyle Whiteheads Circles of Confusion by Carl Spencer.

A response to Anna Williams Dark Timber by Kailey Bryan

2012

A response to Chris Fosters Frontiers in Real Estate by Kate Walchuk.

The games of art: The art of games by Susan Cahill