2020 (em)brace, a response by Jane Walker. 2019 Response to Diary of a e’pite’ji’j: hypervigilant love + Big ‘Uns. By Emily Critch. A Reflection on Komqwejwi’kasikl. By Hannah Morgan. Reading Close: Joshua Vettivelu and legibility in absence. By Kailey Bryan. Arbitrary Lines: Refugee Law in Canada 1986 – 2012. By Gobhina Nagarajah. Visiting: Logan MacDonald A Response by Emily Critch. Where Art and Science Meet: Emily Jan. By Gloria Hickey. 2018 A reflection on, tet; mâni; ute | here. By Joanna Baker. PEJIPUK |the winter is coming: Meagan Musseau. Keeping traditions alive in a modern age, from sweetgrass to plastic. By Jason Wells. 2017 Indigenous enough? Reconciling what it means to be a contemporary Indigenous artist: Joanna Barker on her experience at Flotilla. Intentionality: A response to Logan MacDonald’s exhibition, The Lay of The Land. By Camille Georgeson. islandness, a living experiment: a Written overview by Hannah Morgan. Fungible Materialism: Heather Goodchild & Naomi Yasui, ‘Last is First’ at Eastern Edge. By Katie Bethune-Leamen. L’nui’sultinej, Let us Speak Mi’kmaq: Jordan Bennett and Ursula Johnson’s Mi’kmaq Word of the Day 2.0. By John Jeddore. ‘WORDS OF RESISTANCE’: Jordan Bennett, Ursula Johnson and the potency of language. By Craig Francis Power. The Space Between: Steven Beckly’s ‘A tender touch can bend the straightest of things’. By Mireille Eagan.